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Firmament, detail.
View Firmament and twenty other books in the portfolio section.





welcome

Welcome to www.andreweason.com. I make artist's books. I write about them too. You can view lots of my work on this website.

I have also included resources including a large links directory, and a calendar of book art events that you can subscribe to.


research

For the past few years and for a few more to come I've been consolidating my knowledge in the field of artists' books, working towards a PhD. I've been thinking, writing and researching about what artists' books enable in artists' practices.

Does the book form endow the artists who favour it with an interface to their preoccupations that they find peculiarly apt? If so, in what ways? What can I- as a book artist myself- have to add to this enquiry?

With this in mind, I've been keeping track of my practice in my studio journal weblog, Adminicle, and producing writings. I'd welcome any constructive critical feedback you'd like to offer.


Thanks for stopping by.

— æ

news

Pagemakers, 14th-15th Nov, Brewery Arts, Cirencester

Pagemakerslogo2

Pagemakers will be a weekend book art fair with talks and workshops at Brewery Arts, Cirencester. The weekend will be the 14th-15th November, and I'll be starting to invite participants shortly. Although I would prefer to have a more general call for entrants, the limited amount of space at our disposal means that it's impractical to do so. I'll be posting more information about this project as it unfolds, including, I think, a more general call for proposals for the talks. You'll be able to view collected posts on the topic here.

Amongst other things, I'd like to try to produce a catalogue for the show. It wasn't very difficult to produce one for Small Smaller Smallest using Blurb, and I think that the results were pretty good. I'm going to see if it's feasible to do the same for Pagemakers.

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You can read all my latest news, links and writing on Adminicle.


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Artist Books 3.0
is a forum for the discussion and promotion of the medium. It's currently a lively and interesting arena for debate and includes participants from all sorts of book art traditions.

book of the month



Turndust

A wind-miller has the duty to grind the meal so that the people living nearby can sell the produce they give him to grind and, indeed, so that they can earn their daily bread. Having had no wind to work with for weeks, and suddenly having some chance to do his work, he is tempted, even though he fears a storm. Should he risk the powerful machinery he is in charge of against the unknown? It may destroy him and the mill in the process.

In Turndust, I was able to use the windmill as a complex metaphor to discuss this in depth. Linguistically, wind-milling offers a range of interesting terminology that help give the writing texture and a specificity that helps me to distance the explicit description of visual events, cloaking them in language. Visually, the structure of the windmill itself is full of wood, beams, gears and a sense of a structure built to withstand enormous forces. A windmill is “built like a tank”. But the windmill also contains the means of its own destruction.





reviewing opportunity

Every month I will feature an artists' book in this column. At the moment I am featuring my own. If you would like me to feature one of yours, with a very brief review/description, please get in touch.

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I have decided to speak from the book, the place of my making”

Helen Douglas